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An illustration of an hourglass silhouette, the waist cinched tight, in shades of muted peachy gold. Within it, increasingly smaller versions of the silhouette are contained, leading to a central shadow silhouette. The hourglass is over a dark blue background with arms seen through a filter, as if ghostly.
Bodies

A Cocoon for Us to Fit In

Why eating disorders are so prevalent in Latinx and AAPI communities in the U.S.

by Ana María Betancourt Ovalle

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A photograph from the exhibition "Jokes About Bombs Will Not Be Taken Lightly" at the gallery Goswell Road, depicting the work of Lydia Eccles from her election campaign for the Unabomber in 1995-96. A bunch of paper ephemera on the wall, including photos, fliers, and bumper stickers. In the middle is a lawn sign that reads "America is voting for for the UNABOMBER".
Art

The Value of Art That Can’t Be Sold

by Cara Marsh Sheffler

A modern white keyboard on a black background. On each key, there's a thumbtack with the sharp end pointing upwards.
Censorship

The Shrinking Space for Media Freedom

by Katie Dancey-Downs

An illustrator of two women in sweatsuits, one wearing a patching purple set (facing towards the viewer) and the other in a matching blue sweatsuit (facing away from the viewer). They're sitting on green grass with a pink cloud and pink-to-yellow sky behind them. Connecting them is a string with cups on each side. The woman in the purple sweatsuit is putting a cup to her ear, the woman in the blue sweatsuit is putting the cup to her mouth.
Podcast

The Conversationalist Podcast is Back

by Anna Lind-Guzik

An illustration of three characters in a nature scene, a blue lake surrounded by forest. One person, in a white outfit, is on the shore, looking on at a red canoe filled with research equipment. There is one person paddling the canoe while another person is in the water, putting more instruments into the boat.
Bodies

Let’s Fund the Damn Research Ourselves

by Carey Jones

Adult friendshiP

An illustration of a laundry line, with white sheets billowing in the wind. Behind it, we can see the shadows of two women holding paper cut-outs of shoes on sticks, and the silhouettes of the New York skyline. In the foreground, there's a plastic chair with a pair of red cowboy boots.
Old Friends

The Cycle of Mothering

by Delilah Saul

Illustrator of the silhouettes of two women, one braiding the hair of the other. They are in shadow, standing in front of a window with a sunrise, while the rest of the room is shrouded in darkness.
Old Friends

Emergency Contact

by Ana María Betancourt Ovalle

An illustration in colored pencil showing photos taped to a wall. The background photos are muted, but the center photo is in vivid color, showing three children of different ages sitting on top of a white car. One is a young girl wearing a blue shirt and pink socks, and next to her is a boy with a backwards green cap with his arm around her. On the hood of the car, a girl with blonde hair in a pink shirt and green shorts holds a black cat.
Old Friends

First Friends, Once Removed

by Diana Ruzova

An illustration of a woman sitting in the dark of her home on a red chair next to a burning candle. There's a folding paper screen next to her with the shadow of another woman behind it. In four insert boxes, there are two women on opposite ends of a phone conversation, an image of red flowers, and a pile of pebbles.
Old Friends

Ghost Story

by Jehanne Dubrow

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Politics

Protest

America Needs Azadi

by Safiyah Zaidi

An illustration of a brown dress shoe on a white background. The shoe is untied, and in all-caps white lettering on the side it says, "This machine kills fascists," a reference to Woody Guthrie, who would paint the same message on his guitars as protest during WWII.
Soapbox

Who Throws a Shoe, Honestly?

by Gina Mei

Following the bombing of the Kramatorsk railway station on April 08, 2022, the wounded civilians were evacuated to the hospital in Dnipro. In the photo, 9-year-old Rinat has sustained injuries and is lying on a hospital bed at the pediatric unit, facing away from the camera. His mother Olena is sitting next to him.
War

Motherhood on the Frontlines

by Sara Cincurova

A soft, blue-toned illustration of a wind chime. In the center, replacing one of the bells, is a piece of paper depicting a woman facing away.
Gender

When Will Women in Asia Be Seen as Leaders—Not Exceptions?

by Sun Youyang

GAZA CITY, GAZA - MAY 17: Palestinians, struggling with hunger due to Israeli embargo, wait in line to receive hot meals distributed by the charity organizations as Israeli attacks continue, in Jabalia Refugee Camp in Gaza City, Gaza on May 17, 2025.
War

To Live and Die in Gaza

by Fatima Ayub

Some Favorites

An embroidered illustration on fabric of a tree with women and sheep sitting or standing on the branches. In the background are rolling hills, and clouds in the sky.
Community

Weaving a New Third Place

by Andriana Kourkoumelis

A customer stands in front of shelves with loaves of bread at a supermarket in Nakuru City, Kenya, their back to the camera.
Food

The Troubling Rise of Supermarkets in the Global South

by Alex Park

Soapbox

Unsubscribe, Unsubscribe, Unsubscribe

by Kovie Biakolo

A colorful illustration of many women marathon runners' faces as they cross the finish line, euphoric and sweaty and exhausted and happy.
Soapbox

Watching People Run Makes Me Feel Alive

by Marissa Lorusso

An illustration of three women on a dark fading background. Each has a transparent cloud over their face, representing the weight of the miscarriage they have experienced. The woman in the foreground on the right has dark hair. To her left, there is a pregnant woman with blonde hair; in the background, there is a woman holding the hand of her child.
Bodies

We Need to Talk About Our Miscarriages

by Nikki Muller

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